I was so astounded by Sally Mann’s essay in the newspaper on Sunday. It seemed to touch on everything important–family, art, modernity, privacy. I loved that it arced back to when she published a book of family photographs in 1992, and then detailed forward to now, revealing so much about her experience. The act of publishing intimate details of one’s family life is dramatically more common now than it was then. But we’re all still wondering whether it’s a good idea, and if not, why?
Much of her experience circles around the simple fact of her children being naked and her photographing them that way. It beamed across the pages to me, as these days I am hard pressed to get the girls to put on more than underwear. I struggle to take photos of them that aren’t too revealing, and it feels over-censored to me, much of the time.
It was about presenting art and love to the world and getting a very mixed response.
And it was so beautifully written. I’m still thinking her writing about photographing her husband:
To be able to take my pictures, I have to look, all the time, at the people and places I care about. And I must do so with both ardor and cool appraisal, with the passions of the eye and the heart, but in that ardent heart there must also be a splinter of ice.
And so it was with fire and ice that Larry and I made these pictures: exploring what it means to grow older, to let sunshine fall voluptuously on a still-pleasing form, to spend quiet winter afternoons together. The studio’s wood stove was insufficient but he had two fingers of bourbon to warm him. No phone, no kids, NPR turned low, the smell of chemicals, the two of us still in love, still at the work of making pictures that we hope will matter.